Advertisement

MAKALAH BAHASA INGGRIS TERBARU TENTANG SENI TARI PAPER DANCE

MAKALAH BAHASA INGGRIS TERBARU TENTANG SENI TARI PAPER DANCE - Hallo sahabat Kumpulan Makalah Lengkap, Pada Artikel yang anda baca kali ini dengan judul MAKALAH BAHASA INGGRIS TERBARU TENTANG SENI TARI PAPER DANCE , kami telah mempersiapkan artikel ini dengan baik untuk anda baca dan ambil informasi didalamnya. mudah-mudahan isi postingan Artikel MAKALAH BAHASA INGGRIS TERBARU TENTANG SENI TARI PAPER DANCE, yang kami tulis ini dapat anda pahami. baiklah, selamat membaca.

Judul : MAKALAH BAHASA INGGRIS TERBARU TENTANG SENI TARI PAPER DANCE
link : MAKALAH BAHASA INGGRIS TERBARU TENTANG SENI TARI PAPER DANCE

MAKALAH BAHASA INGGRIS TERBARU TENTANG SENI TARI PAPER DANCE

PAPER DANCE

CHAPTER I
INTRODUCTION

A. Background
When listened to in particular, makes a person tick  dance to the rhythm of dance, dance, and performance capabilities, and a general willingness to be clear. Dance gives a sense of appreciation, empathy, sympathy, and satisfaction, especially for the supporters.
Dance on the reality of things is the appearance of the body motion, therefore the body as the media said a very important role for the dance. Body movement can as part of the body language of communication. With a body that serves a dance language to derive meaning motion.
Dance is one of the branches of art that received great attention in the community. Like the language of motion, it became a tool of human expression in art. As a means or medium of universal communication, dance put yourself in a position that can be enjoyed by anyone, anytime.
Dance very important role in human life. Various events which exist in human life dance procession to support appropriate interests. Communities need not only as aesthetic satisfaction, but also for religious ceremonies and customs purposes.

B. Problem Formulation

    What is dance terms?
    What are the types and forms of dance?
    What is the state of dance in Indonesia?


C. Destination
To explain and describe everything related to dance.

CHAPTER II
DISCUSSION

A. Understanding Dance
Dance is a rhythmic movement of the body is done in a certain time and place for the purposes of the association, expressing feelings, intentions, and thoughts. Sounds called musical dance movements set dancers and reinforce the intention to be conveyed. Different dance movements from everyday movements such as running, walking, or physical exercises. By type, classified as folk dance, classical dance, and dance the new creation.

B. Types and Forms of Dance
Dance is a kind of dance of the archipelago that was exhibited by a essentially, a single term only indicates the number of dancers alone. While this type of dance can be played by one or more dancers. For example, Peacock Dance  into a single dance, can also be a dance in pairs or solo dance towards psychological that would make a person as a subject or object in an activity. Nature solo dance consists of:

    Lyrics, the dance that focus on the subject or the circumstances of the individual, such as happy, or emotion, or happy.
    Epic, the nature of the dance that leads to values ​​beyond the self, such as awe or spoiled.

1. Based on the type of dance choreography

    Solo dance (Solo), single Dance is a dance performed by dancers, both men and women. Examples Puppet dance (Central Java)
    Dance in pairs (duet / pas de Duex), paired adalaah Dance dance performed by two people in pairs. Examples mask dance (West Java)
    Dance group (Group choreography), dance groups dance that was exhibited more than two people.


C. Dance In Indonesia
Indonesian dance reflects the richness and diversity of tribes and cultures of Indonesia. There are more than 700 ethnic groups in Indonesia: can be seen from the roots and culture of Austronesian peoples of Melanesia, influenced by the various cultures of neighboring countries in Asia and even Western influence is absorbed through colonization. Every tribe in Indonesia has its own peculiar variety of dance; In Indonesia there are more than 3000 Indonesian original dances. Ancient tradition of dance and drama studio and preserved in various dance schools that is protected by the palace or government-run art academies.
For classification purposes, the art of dance in Indonesia can be classified into various categories. In the category of history, Indonesian dances can be divided into three eras: the era of prehistoric tribal, Hindu-Buddhist era, and the era of Islam. Based protectors and supporters, can be divided into two groups, dance palace (palace dance) which supported the nobility, and the folk dance that grew out of the common people. By tradition, Indonesian dances are divided into two groups: traditional dance and contemporary dance.
 
History
1. Patterned dance or dance of tribal prehistoric
Kabasaran dance, Minahasa, North Sulawesi.

Prior to contact with foreign influences, tribal peoples of the Indonesian archipelago had developed the art of dance itself, it looks at the various tribes who resist outside influences and a simple life in the interior, for example, in Sumatra (Batak, Nias, Mentawai), in Borneo (Dayak, Punan, Iban), in Java (Bedouin), Sulawesi (Toraja, Minahasa), the Moluccas and Papua (Dani, Asmat, Amungme).
Many anthropologists believe that the dance movements in Indonesia originated from ritual and religious ceremonies. This kind of dance usually begins with ritual, such as a war dance, dance shaman to cure or ward off disease, dances to bring rain, and various types of dances related to agriculture such as dance Hudoq Dayak. Other dances inspired by nature, such as Peacock Dance from West Java.
This ancient type of dance usually display repetitive movements such as the Tor-Tor dance of the Batak of North Sumatra. This dance is also intended to evoke the spirit or soul is hidden in man, is also meant to appease and please the spirits. Some dances involve mental conditions are considered to be in a trance channeling the spirit into the body of the dancer is dancing and moving beyond consciousness. Dance Trance is a sacred dance Dedari special in Bali, where girls who have grown up dancing in a mental state is not aware that the holy spirit possessed unbelievable. This dance is intended to expel evil spirits from around the village. Kuda Lumping dance and keris dance also involves trance.
2. Hindu-Buddhist-style dance
Lakshmana, Rama and Shinta in the Ramayana Ballet at Prambanan, Java.

Upon the acceptance of dharma religion in Indonesia, Hinduism and Buddhism is celebrated in different rites and sacred art. Celebrated the Hindu epic stories such as Ramayana, Mahabharata and also became the inspiration for the Flag featured in the dance-drama called "Ballet" like "ballet" in the western tradition. A method and a very intricate dance style created and preserved until now, especially in Java and Bali. Javanese Ramayana ballet performed routinely at Prambanan, Yogyakarta; while snedratari the same theme in Balinese version staged in various temples across the island of Bali. Javanese Wayang dance people take footage from episode of Ramayana or Mahabharata. But this dance is very different from the Indian version. Although the attitude of the body and hands are still considered important, Indonesian dances do not pay attention to the important Indian dance mudras as: even more displays of local forms. Javanese court dance emphasizes the elegance and movements are slow and graceful, while the Balinese dance more dynamic and expressive. Bedhaya sacred ritual dance believed to originate from the Javanese Majapahit era in the 14th century and even earlier, this dance comes from the dance ritual performed by a virgin girl to worship Hindu gods like Shiva, Brahma and Vishnu.
In Bali, dance has been an integral part of Hindu dharma sacred ritual. Some experts believe that the dance Bali dance derived from older traditions of Java. Reliefs of the temple in East Java from the 14th century featuring a crown and headdress headdress similar to that used in Balinese dance now. It displays remarkable continuity of tradition uninterrupted for at least 600 years. Some sacred dance sacred and should only be staged in certain religious ceremonies. Bali each dance has its own uses, ranging from dance sacred to religious rituals that should only be danced in the temple, which tells the story of dance and popular legend, until the reception and dance as a tribute to Pendet. Mask dance is also very popular in Java and Bali, generally taking the story of Panji stories that can be traced from the history of the kingdom of Kediri 12th century. Type the famous mask dance is the Cirebon mask dance and Balinese mask.
3. Islam patterned dance
Saman dance from Aceh.

As a religion that came Secondly, Islam entered the archipelago began when the original dance and the dance is still popular dharma. Artists and dancers still use the style of an earlier era, change their stories more stories berpenafsiran Islam and fashion are more closed according to the teachings of Islam. This change is very evident in the dance offerings from Jambi. Dancers still decorated elaborate gold jewelry and highways as in the Hindu-Buddhist, but his clothes more appropriate covered courtesy of dress in Islam.
This new era brings a new style of dance: Dance Zapin Tari Saman Aceh Malay and apply a style of dance and musical nuances of Arabia and Persia, combined with local style dance featuring a new generation of Islamic era. Also used musical instruments typical of Arabic and Persian, such as tambourines, drums, and the drums are a major instrument in the dance nuances of Islam, as well as a dance accompanist singing chanting prayers quoting Islami
 
Support
1. Dance palace
Jaipongan dance, folk dance traditions of the Sunda

Dances in Indonesia reflects the long history of Indonesia. Several noble families; various castles and palaces that still survive in various parts of Indonesia became a bastion of culture and preservation of the palace. The most obvious difference between the palace dances with folk dance tradition appears in Javanese dance. Javanese strata are layered and multilevel reflected in its culture. If the upper class nobility were concerned with subtlety, spiritual element, nobleness, and keadiluhungan; most people pay more attention to entertainment and social elements of dance. As a result of more stringent palace dances and has a set of rules and discipline are maintained from generation to generation, while people dance more freely, and opens up a variety of influences.
Protection of the royal palace of arts and cultural institutions are generally encouraged by the kingdom as a guardian and protector of their traditions. For example, the Sultan and the Sunan of Surakarta and Yogyakarta Palace is famous as the creator of various dance palace complete with dance accompaniment the gamelan composition. Dance palace is also present in the court tradition Balinese and Malay, which is usually in Java-like-also emphasizes the subtlety, majesty and prestige. Dances such as the former Palace of the Sultanate of Aceh, Sumatra, Sultanate of Deli, North Sumatra, Riau Sultanate and the Sultanate of Palembang in South Sumatra is more influenced by Islamic culture, while Java and Bali will be thicker Hindu-Buddhist cultural heritage.
2. Folk dance
Indonesian dance show social complexity and social levels of coating, which also shows the social class and the degree of smoothness. Based protectors and supporters, folk dance is a dance that is developed and supported by many people, both in rural and urban areas. Compared with the dance palace (palace) which was developed and protected by the court, the Indonesian people dance more dynamic, energetic, and relatively free of the strict rules and discipline specific, though some styles or movements typical posture is often retained. Dance people pay more attention to the function of entertainment and social interaction rather than ritual function.
Ronggeng dance and dance Jaipongan Sundanese is a good example of folk dance tradition. Both are social dance that is more entertainment. Often, this dance movements that are considered less appropriate when viewed from the perspective of the palace dance, folk dance result is often misunderstood too erotic or too rough in the palace standards. Nevertheless this remains dance folk traditions flourished in Indonesia because it is supported by the community. Some traditional folk dance has developed into a mass dance with simple movements neatly arranged, such as Poco-poco dance from Minahasa, North Sulawesi, and Papua Sajojo dance.
Tradition
1. Traditional dance
Traditional Indonesian dance reflects the richness and diversity of the Indonesian nation. Some dance traditions such as Balinese dance, dance Javanese, Sundanese dance, dance Minangkabau, Palembang dance, Malay dance, dance Aceh, and much more is dance that evolved from time immemorial, though this dance still developed until now. Some dances may have been hundreds of years old, while some traditional dance may newly invented less than a decade ago. Dance with the creation of new choreography, but still within the framework of discipline specific dance tradition still possible. As a result, there was some new dance creations. This new dance creations to an exhumation cultural roots that has gone, the new interpretation, inspiration or a new artistic exploration of the art of traditional dance.
Certain art school in Indonesia as Indonesian Arts College (STSI) in Bandung, Jakarta Arts Institute (IKJ) in Jakarta, the Indonesian Arts Institute (ISI) spread in Denpasar, Yogyakarta, and Surakarta all of which support and encourage students to explore and develop the art of Indonesian traditional dance. Some specific festivals such as the Bali Arts Festival is known as the leading event for Balinese dance artists to showcase their dance creations of new works.
2. Contemporary dance
Modern dance accompaniment music performance

Indonesian contemporary dance borrows many outside influences, such as ballet and modern dance west. In 1954, the two artists Yogyakarta dar-Bagong Kusudiarjo and Wisnuwardhana-migrated to the United States to study ballet and modern dance with various dance studio there. When he returned to Indonesia in 1959 they brought a new artistic culture, which eventually change direction, face and movement and new choreography, they introduced the idea of ​​dance as a personal expression of the artist to the art of dance in Indonesia. The idea of ​​dance as a medium for personal expression of the artist has generated Indonesian dance, from the beginning always be set in the tradition of artistic expression, the artist through exposure to a variety of arts and cultural backgrounds broader and richer. Indonesian traditional dance too much influence contemporary dance in Indonesia, such as Javanese dance styles such as pose and posture and elegance of movement often appears in contemporary dance performances in Indonesia. International collaborations are also possible, such as Japanese Noh dance collaboration with traditional Javanese dance theater and Bali.
Indonesian modern dance is also frequently featured in the world's entertainment industry and Indonesian performances, such as praising dance, musical performances, or stage entertainment. Now with the surge in pop culture influences from abroad, especially from the United States, some modern dance such as street dance (street dance) also captured the attention of young people of Indonesia.

CHAPTER III
CLOSING

A. Conclusion
Every human being has a soul of art each different. easy all existing art, including the art of dance. But it would not hurt if all of art. In the preparation of our paper to learn how you can master the art of dance, particularly the art of modern dance. Modern dance is a dance that has been modified according to the times. Generally, modern dance uses modern musical accompaniment is also a pretty fast tempo. Likewise with energetic movements, requiring good art instinct. But as difficult as any modern dance, still able to be learned for the students, who are still fit to do so. No one can not if committed - indeed to do so.

B. Suggestions and criticism
v Do not hesitate to learn to dance, because dance can be beneficial to health.
v There is nothing difficult in the art, if art could animate itself.
v Develop artistic talent that is in.

REFERENCES

Soedarsono. 1978. Pengantar Pengetahuan Komposisi Tari. Yogyakarta : AkademiSeni Tari Indonesia Yogyakarta.

Rusliana, Iyus. 1990. Pendidikan Seni Tari : Buku Guru Sekolah Dasar.

Hidayat, Robby. 2005. Menerobos Pembelajaran Tari Pendidikan. Malang : Banjar Seni Gantar Gumelar.

Kamus Besar Bahasa Indonesia (1990: 602)WWW.

Pengertian Musik.htm ( 27 – 12 – 2010 )

- See more at: http://andrianhery4.blogspot.com/2012/10/makalah-seni-tari.html#sthash.lgKG3eS7.dpuf

Demikianlah Artikel MAKALAH BAHASA INGGRIS TERBARU TENTANG SENI TARI PAPER DANCE

Sekianlah artikel MAKALAH BAHASA INGGRIS TERBARU TENTANG SENI TARI PAPER DANCE kali ini, mudah-mudahan bisa memberi manfaat untuk anda semua. baiklah, sampai jumpa di postingan artikel lainnya.

Anda sekarang membaca artikel MAKALAH BAHASA INGGRIS TERBARU TENTANG SENI TARI PAPER DANCE dengan alamat link http://kumpulanmakalahlengakap.blogspot.com/2013/06/makalah-bahasa-inggris-terbaru-tentang.html

MAKALAH BAHASA INGGRIS TERBARU TENTANG SENI TARI PAPER DANCE